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Thursday, 23 September 2010

  • The family are at table eating dessert and conversing plesantly the while. Suddenly Christian turns pale and puts back on his plate the peach into which he has just bitten. His round, deep-set eyes, above the too-large nose, have opened wider.
     
    "I will never eat another peach," he says.
     
    "Why not, Christian? What nonsense! What's the matter?"
     
    "Suppose I accidentally -- suppose I swallowed the stone, and it stuck in my throat, so I couldn't breathe, and I jumped up, strangling horribly -- and all of you jump up -- Ugh ...! and he suddenly gives a short groan, full of horror and affright, starts up in his chair, and acts as if he were trying to escape.
     
    The Frau Consul and Ida Jungmann actually do jump up.
     
    "Heavens, Christian! -- you haven't swallowed it, have you?" For his whole appearance suggests that he has.
     
    "No," says Christian slowly. "No" -- he is gradually quieting down -- "I only mean, suppose I actually had swallowed it!"
     
    The Consul has been pale with fright, but he recovers and begins to scold. Old Johann bangs his fist on the table and forbids any more of these idiotic practical jokes. But Christian, for a long time, eats no more peaches.
     
    Thomas Mann

Tuesday, 10 August 2010

  • By the way

    Moody-Adams referred to John Stuart Mill, who wrote that truly happy people always have their minds fixed on some object other than their own happiness. “That object might be the happiness of others, it might be the improvement of mankind, it might be some other art or pursuit, as Mill says, ‘followed not as a means but as itself an ideal end,’ ” she said. “Aiming at something else, Mill concludes, we will thus find happiness by the way.

Monday, 25 January 2010

  • One Art

    The art of losing isn't hard to master;
    so many things seem filled with the intent
    to be lost that their loss is no disaster.
     
    Lose something every day. Accept the fluster
    of lost door keys, the hour badly spent.
    The art of losing isn't hard to master.
     
    Then practice losing farther, losing faster:
    places, and names, and where it was you meant to travel. 
    None of these will bring disaster.
     
    I lost my mother's watch. And look! my last, or
    next-to-last, of three loved houses went.
    The art of losing isn't hard to master.
     
    I lost two cities, lovely ones. And, vaster,
    some realms I owned, two rivers, a continent.
    I miss them, but it wasn't a disaster.
     
    --Even losing you (the joking voice, a gesture
    I love) I shan't have lied.  It's evident
    the art of losing's not too hard to master
    though it may look like (Write it!) like disaster.
    - Elizabeth Bishop

Sunday, 30 August 2009

Monday, 24 August 2009

  • why so sad, nathaniel?

    And, in truth, while our friend smiled at these wild fables, he sighed in the same breath to think how the once genial earth produces, in every successive generation, fewer flowers than used to gladden the preceding ones. Not that the modes and seeming possibilities of human enjoyment are rarer in our refined and softened era,—on the contrary, they never before were nearly so abundant,—but that mankind are getting so far beyond the childhood of their race that they scorn to be happy any longer. A simple and joyous character can find no place for itself among the sage and sombre figures that would put his unsophisticated cheerfulness to shame. The entire system of man's affairs, as at present established, is built up purposely to exclude the careless and happy soul. The very children would upbraid the wretched individual who should endeavor to take life and the world as w what we might naturally suppose them meant for—a place and opportunity for enjoyment.

    It is the iron rule in our day to require an object and a purpose in life. It makes us all parts of a complicated scheme of progress, which can only result in our arrival at a colder and drearier region than we were born in. It insists upon everybody's adding somewhat—a mite, perhaps, but earned by incessant effort—to an accumulated pile of usefulness, of which the only use will be, to burden our posterity with even heavier thoughts and more inordinate labor than our own. No life now wanders like an unfettered stream; there is a mill-wheel for the tiniest rivulet to turn. We go all wrong, by too strenuous a resolution to go all right.

IrisLily22

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    • Name: IrisLily22
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